I am so supportive of Dylan Marron being Carlos, you cannot believe.
Phil Straub Composition Tutorial (go to the original page for much more information, pictures, and different types of composition)
The Golden Rule — “The golden rule can and usually is applied to a paintings canvas proportions. As you read through the following text you’ll notice that most of the imagery presented utilizes similar dimensions and almost all of them fall into the golden rectangle. Today you can find the Golden Rectangle almost everywhere: from credit cards to phone cards to book covers, all are shaped with its proportions.
The imagery below represents the division of space when the “golden rule” is applied to a blank canvas. Basically it is the division of a line in two sections, where the ratio between the smallest section and the largest section is identical to the ratio between the largest section and the entire length of the line. In other words A/B = B/(A+B). The ratio is about 1/1.618. Honestly, I’m still not exactly sure what that all means? but, I do know that I used this grid layout a-lot when I first started painting and found it helpful. I still do.”
Rule of Thirds— “From the golden rule came the “rule of thirds” which is virtually the same concept but slightly altered to fit photographic proportions. I find it a bit easier to follow since it’s very simple in its origin.Here we have a look at the rule of thirds in action.
Notice that the main focal point sits right almost directly over one of the “golden means.” Additionally, other objects are placed near the other converging lines (the bird, for example) but, not directly on them, since that would create competition for the focal point.”
Implied Forms (Circular) — “The Circle is made up of a continuous ‘Curve’ and it’s circular movement keeps the eye in the picture frame. There are many circles in nature and man made objects. You can use the circle in a very obvious way in your composition or simply suggest it.”
Implied Forms (Radii) — “Is a connection of ‘Lines’ meeting in the Center and an expansion of ‘Lines’ leaving the Center. The Radii is usually found in Nature Subjects. The best example of the man made Radii is the spokes of a wheel.
The eye has two ways to go when it comes upon the Radii. It can either be drawn in to the picture area or it can be led out of the picture area. You must be careful how you used the Radii and try to have the eye led into the picture.”
Cross composition — “A showing of ‘Opposing Force’ that will give the picture a feeling of Cohesion and Relationship. The horizontal bar of the Cross will act as a “stopper’ while the vertical pole can act as a leading line. The windows in a large skyscraper will form crosses and will keep your interest in the building.”
L Composition — “This makes an attractive ‘frame’. It can be used to accentuate important subjects. Many times it is a ‘frame’ within a ‘frame’.
A tree with an overhanging branch at the ‘right’ side of the picture area will form a ‘Rectangle’ and help frame the Main Subject in the picture. By doing this you will make the Center of Interest stand out and be noticed clearly.”
composition to consider.
This thing about Nazi being an insult will always be one of my favourite things about history
Wow, never knew that. Though when I read books by Germans set during the war the characters always say ‘the Party’ when talking about nazis so it makes sense.
THERE IS A BOOK CALLED THE ETYMOLOGICON AND I NOT ONLY DO NOT OWN IT I HAVE NEVER HEARD OF IT WHAT IS THIS BULLSHIT THIS INJUSTICE MUST BE RECTIFIED IMMEDIATELY
^I SECOND THAT MOTION
Extroverts are loud obnoxious brainless viking warriors who will shit on your table and uproot all of your potted plants. Their minds have been trapped in the party rock dimension by an evil sorcerer while their corporeal forms exist in our own plane of reality, causing them to stumble around in a constant unaware daze.
Introverts are super-genius shy fragile literal wood nymphs that shatter when exposed to direct eye contact subsist entirely on a diet of nothing but tea and the written word. Extending offers to social gatherings causes them to actually die.
I lost it at party rock dimension.
8 ways to spot Emotional Manipulation
1. There is no use in trying to be honest with an emotional manipulator. You make a statement and it will be turned around. Example: I am really angry that you forgot my birthday. Response - “It makes me feel sad that you would think I would forget your birthday,
*STANDARD DISCLAIMER* I’m not handing down life lessons or trying to assert that there’s a ‘correct way’ to draw. I’m just trying to make perspective more approachable for thems that want to tackle it.
Okay. Let’s do this.
1. Understand what perspective is and what it’s for. Stay away from rulers while you get comfortable.
Everyone struggles with perspective because 1. it’s not well or widely taught and 2. artists tend to see linear perspective as a set of rules rather than a set of tools.
Linear perspective is a TOOL we use to create and depict SPACE. That’s it. That’s all it is. Your goal is not to draw in ‘accurate linear perspective.’ Stay away from the ruler and precision for as long as you can. Your goal is to create the illusion of three-dimensional space on a two-dimensional surface. Perspective is just a tool to help you construct and correct that space.
2. Know in your bones that you can ONLY learn to draw in perspective through physical practice. There is no other way.
Grab some paper and draw with me. If you match me drawing for drawing you will be more fluent in linear perspective and spatial drawing by the end of this post. Unfortunately if you don’t, you won’t be.
3. Sketch around in rough perspective. NO RULERS.
So let’s make some simple space. let’s start with a two dimensional surface…
K. We have a flat, 2D surface. Let’s create some depth by putting a vanishing point in the middle, and having parallel lines converge towards it. Make a gridded plane inside that space.
Good. Let’s make that space meaningful by adding a dude and a road or something. (Again, parallel ‘depth lines’ will converge into the vanishing point along the horizon)
And now we have the rough illusion of some space. I didn’t use any rulers, and it’s not perfectly accurate, but we got our depth from that vanishing point right in the middle of the page. And since we have a little dude in there, we’ve got human scale, which allows us to gauge the size of the space we’ve created. Gives it meaning.
You need people or cars or some recognizable, human-scale THING in there as a frame of reference or your space won’t mean much to your viewer. Watch. We can make that same basic space a whole lot bigger like this:
Same vanishing point in the same place, completely different scale, and a totally different feeling of space. Cool, right?
3. Sketch around in rough perspective MORE. STAY LOOSE.
See what sort of spaces and feelings you can create with vanishing points and gridded planes on a post-it or something. Super small, super rough. Feel it out. Pick a vanishing point or lay out a grid in perspective, and MAKE SOME SPACE. Do it. Draw, I don’t know, a lady and her dog in a desert. I’ll do it, too.
Good job. LOOK AT YOU creating the illusion of space! This is how you’ll thumbnail and plan anything you want to draw in space. All of my drawings start this way. I think about how I want the viewer to feel and then play around with space and composition until I find something that works.
Once you have a sketch you like, and space that you feel, THEN you can take out the ruler and make it more accurate and convincing.
4. Draw environments from life.
I cannot stress this enough. Draw the world around you, try to draw the shapes and angles as you see them, and you will ‘get’ how and why perspective is used. Use something permanent so that you’ll move fast and commit. I usually use black prismacolor pencil.
You’ll learn or reinforce something with every drawing. I learned a lot about multiple vanishing points from this drawing:
Learned from the receding, winding space I tired to draw here:
Layered, interior spaces:
You get the idea.
Life drawing will also help you develop your own shorthand and language for depicting textures, materials, details, natural and architectural features, etc. Do it. Do it all the time. Go to pretty or interesting places just to draw them.
Take a second and just draw a quick sketch of whatever room you’re in.
5. Perspective in formal Illustration: apply what you’ve learned.
1. I always start with research. For this particular location I looked at Angkor Wat.
2. Once I had enough reference, I did a bunch of little thumbnail sketches with a very loose sense of space and picked the one I liked best.
3. Scanned the thumbnail and drew a little more clearly over it. Worked out the rough space before using formal perspective.
4. Reinforced the space with formal perspective. I dropped in pre-made vanishing points over my drawing. If I were drawing in real media here’s where I’d get out the ruler to sketch in some accurate space.
5. Drew the damn thing. Because I do my research, draw from life, and am comfortable drawing in perspective, I can wing it. I just sort of ‘build’ the ruins freehand in the space I’ve established, keeping it more or less accurate, experimenting and playing with details along the way. I erase a lot, too, both in PS and when drawing in pencil. Keeps it fun for me.
And that’s what I know about composition and perspective. If you want more formal instruction on perspective and it’s uses, you can use John Buscema’s How to Draw Comics the Marvel Way. Or If you want to get really intense about it, Andrew Loomis can help you
very good, this.
if i had to choose between DNA and RNA, i would choose RNA because it has U in it
9/10 very close to being the worst science pun ever.
AT LEAST THE WAR IS OVER || a mix for teenage guerilla warriors who were brave, and strong, and good, and who mattered. [listen]
01. Things We Lost In The Fire - Bastille // we will never be the same again; these are the things we lost in the fire.
02. Dead Hearts - Stars // they moved forward, and my heart died.
03. Losing Your Memory - Ryan Star // i would have died, i would have loved you all my life.
04. Kingdom Come - The Civil Wars // fly high across the sky from here to kingdom come.
05. World Spins Madly On - The Weepies // woke up and wished that i was dead.
06. I’ll Follow You Into The Dark - Death Cab For Cutie // love of mine, someday you will die, but i’ll be close behind.
07. Hear You Me - Jimmy Eat World // i never said thank you for that, now i’ll never have a chance; may angels lead you in, hear you me my friends.
08. Stars - Grace Potter & The Nocturnals // i followed your ashes into outer space; i can’t look out the window, i can’t look at this place, i can’t look at the stars.
09. In Our Bedroom After The War - Stars // when you went away, you were just a kid; and if you lost it all— and you lost it— well, at least the war is over.
30 Day Animorphs Challenge
↳ Day One: Your Favorite Of The Original Six Animorphs → Rachel
My name is Rachel. I won’t tell you my last name or where I’m from. Here’s what I can tell you about myself: I’m tall for my age. Maybe tall for any age. I have blond hair. I like gymnastics, shopping, and a good fight with bad guys.
Not necessarily in that order.
#She was a normal teenage girl who wanted to go to dances and shop for shoes
#She was a ruthless warrior that terrified an empire
Muscular women references!!!!!!!!!! Oo-la-la!!!!
[From various sources]